Portrait painting is a journey of observation, technique, and storytelling. As an artist, I’ve spent years honing my craft, learning to capture the essence of a subject through brushstrokes and color. In this article, I’ll share insights from my process, practical tips for aspiring portrait painters, and a few personal stories that remind us why art is as much about the journey as it is about the final piece. Whether you’re an art student or a portrait enthusiast, I hope these lessons inspire you to pick up your brush and create.
Starting with the Basics: Simplifying Complex Forms
Every portrait begins with a blank canvas and a vision. For me, the key to tackling the complexity of the human face is to break it down into simple shapes. When I started the portrait of a baby featured in this session, I began by sketching the forehead as a triangle. This approach helps me establish proportions and placement before diving into details.
Babies, in particular, present unique challenges. Their facial proportions differ from adults—eyes are lower, and the head is larger relative to the face. To accurately capture these subtleties, I measured carefully, using my brush as a guide to ensure the center line was balanced. This attention to foundational details is crucial for creating a lifelike portrait.
The Classical Approach: Underpainting and Layering
One of my favorite techniques is underpainting with green. This classical method, often used by the Old Masters, creates a luminous base that adds depth to the final piece. As I layered the paint, I aimed for a museum-like quality—soft edges, rich tones, and a timeless feel.
For skin tones, I mixed burnt umber, cadmium red, and yellow, gradually building up the layers. The goal was to achieve a translucent effect, allowing the green undertones to subtly shine through. This technique requires patience and a keen eye for color harmony, but the results are worth it.
The Power of Squinting: Seeing Values and Shapes
Throughout the process, I found myself squinting—a habit I’ve developed to simplify what I see. Squinting helps me focus on values and shapes, stripping away unnecessary details. It’s a trick I highly recommend to students. By training your eye to see the big picture first, you can avoid getting lost in the minutiae.
For example, when painting the baby’s face, I squinted to identify the lightest highlights and darkest shadows. This allowed me to create a sense of volume and roundness, essential for bringing the portrait to life.
A Lesson from New York: Taking Risks and Embracing Challenges
A Story from New York: The Art Gallery and the False Name
As the painting began to take shape, I found myself reminiscing about my time in New York. It was 17 years ago, and I had just arrived in the city, wide-eyed and full of dreams. My English was shaky, but my passion for art was unwavering. One day, while on my way to the Metropolitan Museum, I stumbled upon two painters in the subway. They were speaking Spanish, and I felt an instant connection. We struck up a conversation, and they invited me to join them at an art gallery in Manhattan.
The gallery was unlike anything I had ever seen. It was more like a store, filled with paintings from floor to ceiling. The owner, a woman from China, handed me a canvas with a poster in the middle and instructed me to paint the borders. It was a strange request, but I didn’t question it. I painted diligently, blending the colors to match the image. By the end of the day, I had completed three paintings. The woman offered me a job on the spot, paying $8 an hour. I accepted, but there was one problem—I had given her a false name.
For two months, I worked at the gallery under my assumed name. Every Friday, the painters would gather at a local bar to unwind. It was there that I met some of the most incredible people I’ve ever known. They were from all over the world—Russia, China, Latin America—and we bonded over our shared love of art. One of them told me, “In this city, we have to help each other.” Those words stayed with me, a reminder of the kindness and camaraderie I found in New York.
But my time at the gallery wasn’t without its challenges. On my first payday, I realized I couldn’t cash my check because it was made out to the false name I had given. Panicked, I confided in one of my coworkers. He assured me it wouldn’t be a problem, and sure enough, the bank cashed the check without question. It was a small victory, but it taught me an important lesson: sometimes, you have to take risks to pursue your dreams.
The Importance of Softness: Blending and Transitions
Back in the studio, I focused on refining the portrait. The baby’s face was almost complete, but the shadows felt too harsh. I softened the edges, blending the colors to create a more natural, translucent effect. This step is crucial for achieving a lifelike appearance.
I also paid close attention to the lightest highlights, placing them on the tip of the nose and the cheeks. These subtle touches added warmth and dimension to the face. Remember, portrait painting is about balance—knowing when to add detail and when to step back.
Final Thoughts: Art as a Journey
As I signed the finished portrait, I reflected on the journey that brought me here. Painting is more than just a skill; it’s a way of seeing the world. It’s about finding beauty in the ordinary, turning mistakes into opportunities, and sharing stories through your work.
To all the art students and portrait enthusiasts reading this, I encourage you to embrace the process. Experiment with techniques, learn from your mistakes, and never stop creating. And most importantly, remember that every brushstroke is a step forward in your artistic journey.
Hi everyone! I’m Renso, and in this article, I want to take you through my detailed process of creating an Portrait Painting during one of my live painting sessions. Whether you’re a beginner or an experienced artist, I hope you’ll find valuable tips, techniques, and inspiration here. Portrait painting is a deeply rewarding art form, but it can also be challenging. By breaking down my process into manageable steps, I aim to make it more accessible and enjoyable for everyone. Let’s dive into the steps I follow to bring a portrait to life, along with the lessons I’ve learned along the way.
1. Preparing My Materials
Before I even touch the canvas, I make sure I have all the right tools ready. For this session, I used:
Brushes: A mix of bristle brushes for bold, expressive strokes and soft synthetic brushes for finer details.
Paints: My palette included titanium white, Naples yellow, cadmium orange, cadmium red, alizarin crimson, raw umber, and cobalt blue. These colors give me a wide range of tones to work with.
Canvas: I chose a 9×9-inch canvas, which is a great size for a detailed yet manageable portrait.
Mediums: I used linseed oil to thin the paint and improve its flow, especially when working on larger areas like the background.
I also like to use different brands of paint depending on the area I’m working on. For example, I use the more affordable Winton paints for larger areas like the background or hair, while I save my Rembrandt paints for finer details and highlights. This helps me manage costs without compromising on quality.
2. Starting with a Sketch
The first step in my process is to lightly sketch the basic shapes of the portrait. I use raw umber and a larger brush to outline the face, focusing on proportions and placement. I often rely on the Loomis method, which breaks down the face into simple measurements:
The distance from the eyebrow to the nose is repeated to place the chin.
The eyes are positioned on a line dividing the face into thirds.
The mouth is placed halfway between the nose and chin.
This method helps me ensure accuracy and provides a solid foundation for the painting. I don’t worry about perfection at this stage—it’s more about getting the basic structure right.
3. Blocking in Shadows and Background
Once the sketch is complete, I move on to blocking in the darkest areas, such as the hair and shadows. I use raw umber and black to create a dark base, which helps establish the values (light and dark areas) of the Portrait Painting.
I always advise squinting your eyes to simplify the shapes and focus on the overall composition. This technique helps me identify the major light and shadow areas without getting bogged down in details. It’s amazing how much this simple trick can improve your understanding of the subject.
4. Building Up the Mid-Tones and Highlights
With the shadows in place, I start adding mid-tones and highlights. I mix Naples yellow, cadmium orange, and white to create a warm, glowing light on the face. I apply thicker paint for the highlights, making them stand out against the darker background.
I also introduce color harmony by using complementary colors. For example, I contrast the warm orange highlights with cool blue shadows, creating a dynamic and visually appealing effect. This interplay of warm and cool tones adds depth and interest to the painting.
5. Refining the Features
As the painting progresses, I focus on refining the facial features. I use a smaller brush to add details like the eyes, nose, and mouth. I emphasize the importance of softening edges to create depth and realism. For instance, I soften the edges around the cheeks and jawline to make the face appear more three-dimensional.
I also pay close attention to the reflected light, adding touches of blue and green to the shadows to enhance the overall color harmony. This technique helps create a more lifelike and vibrant portrait.
6. Adding Texture and Final Touches
To add texture and depth, I use a palette knife for areas like the hair and clothing. I also use a dry brush technique to create scratchy, textured effects for details like tree bark or grass.
For the final touches, I add small details like eyelashes, highlights on the lips, and subtle color accents. I always step back frequently to assess the overall composition and make any necessary adjustments. This helps me ensure that the painting looks balanced and complete.
7. Knowing When to Stop
One of the most important lessons I’ve learned is knowing when to stop. Overworking a painting can lead to muddy colors and lost details. I always remind myself to step back and evaluate the painting from a distance. If it looks balanced and complete, I know it’s time to put the brush down.
8. Lessons Learned and Tips for Beginners
Throughout my years of painting, I’ve picked up several tips and tricks that I’d like to share:
Practice Regularly: The more you paint, the more comfortable you’ll become with the process.
Don’t Fear Mistakes: Every mistake is an opportunity to learn and improve.
Experiment with Techniques: Try different brushstrokes, color combinations, and styles to find what works best for you.
Seek Feedback: Share your work with others and ask for constructive criticism. This can provide new perspectives and help you grow as an artist.
9. Common Challenges and How to Overcome Them
Portrait painting comes with its own set of challenges. Here are a few common ones and how I address them:
Getting the Likeness Right: Capturing the likeness of a person can be tricky. I focus on the basic proportions and features first, then refine the details as I go.
Avoiding Muddy Colors: To avoid muddy colors, I clean my brushes thoroughly before switching colors and avoid over-blending.
Creating Depth: I use a combination of values, colors, and edges to create depth. Softening edges in the background and sharpening them in the foreground can make a big difference.
10. The Importance of Color Harmony
Color harmony is crucial in creating a cohesive and visually appealing painting. I often use complementary colors to create contrast and interest. For example, pairing warm orange highlights with cool blue shadows can make the painting pop.
I also pay attention to the saturation of colors. While it’s tempting to use bright, saturated colors everywhere, I find that balancing them with more muted tones creates a more harmonious composition.
11. The Role of Light and Shadow
Light and shadow play a key role in defining the form and volume of the subject. I always start by identifying the light source and how it affects the subject. This helps me determine where the highlights and shadows should be.
I also use reflected light to add depth and realism. For example, if the light is warm and orangey, the reflected light will often have a similar tone. However, I sometimes introduce cool colors like blue or green to create contrast and add interest.
12. The Final Stages: Adding Details and Refining
As I near the end of the painting, I focus on adding the final details and refining the overall composition. This includes adding highlights, adjusting colors, and softening or sharpening edges as needed.
I also take the time to step back and assess the painting from a distance. This helps me see the overall composition and make any final adjustments.
13. Conclusion
A Portrait Painting is a journey, and every piece teaches me something new. Whether you’re just starting out or have been painting for years, I encourage you to keep experimenting and pushing your boundaries. Remember, the key is to enjoy the process and let your creativity flow.
Here are some questions from viewers during Renso’s live painting session, along with his answers, which provide valuable insights for beginners and aspiring artists:
1. Viewer: “When do you use linseed oil in your painting?”
“I usually don’t use linseed oil that much, but for today’s painting, I used it because I was planning to change the colors. If I’m not sure about the color harmony, I start with very little paint and then add thicker paint later. I also use linseed oil when painting larger areas, like the background, to help the paint flow better.”
2. Viewer: “How do you avoid overworking your painting?”
“Overworking happens when you spend too much time blending or adding too many details. I recommend working on the entire painting in stages and stepping back frequently to assess the overall composition. Knowing when to stop is key—sometimes less is more.”
3. Viewer: “What are some bad habits to avoid as a beginner?”
“One bad habit is over-blending or adding too many sharp edges everywhere. It’s important to balance soft and sharp edges to create depth. Another habit is not cleaning your brushes properly, which can muddy your colors. Always clean your brush before picking up a new color.”
4. Viewer: “How do you paint realistic eyes?”
“I start by sketching the basic shape of the eyes and then add details like the iris, pupil, and highlights. I use a small round brush for precision and soften the edges around the eyes to create a natural look. Observing the reference photo closely is crucial for accuracy.”
5. Viewer: “How do you create a warm light effect?”
“To create a warm light effect, I use warm colors like cadmium orange and Naples yellow for the highlights. I then contrast this with cooler colors like blue or green in the shadows to enhance the warmth of the light.”
6. Viewer: “What is the Lumis method for drawing faces?”
“The Loomis method is a technique for drawing faces by breaking them into simple shapes and proportions. For example, you measure the distance from the eyebrow to the nose and repeat that measurement to place the chin. The eyes are placed on a line dividing the face into thirds, and the mouth is placed halfway between the nose and chin.”
7. Viewer: “How do you fix mistakes in your painting?”
“Don’t be afraid of mistakes. If you make a mistake, let the paint dry and then paint over it. I also recommend using thicker paint to cover errors and adjusting values or colors as needed. Sometimes, mistakes can lead to happy accidents!”
8. Viewer: “How do you paint realistic hair?”
“I start by blocking in the darkest areas of the hair with raw umber and black. Then, I add highlights with warmer colors like orange or yellow, using quick, directional brushstrokes to mimic the flow of hair. It’s all about creating texture and movement.”
9. Viewer: “How do you create contrast in your painting?”
“I create contrast by using complementary colors (like orange and blue) and ensuring there’s a clear difference between light and dark values. I also add small accents of bright color (like red or green) to make certain areas pop.”
10. Viewer: “How do you paint a glowing effect?”
“To create a glowing effect, I use warm, bright colors like cadmium yellow and white for the highlights. I contrast this with darker, cooler colors in the shadows to make the light areas appear even brighter.”
11. Viewer: “How do you mix colors for skin tones?”
“I mix Naples yellow, cadmium orange, and white for warm highlights on the face. For shadows, I use raw umber and alizarin crimson. I also add touches of blue or green in the shadows to create contrast and harmony with the warm highlights.”
12. Viewer: “How do you paint a dark background?”
“I mix raw umber and cobalt blue to create a dark background. I apply the paint thinly at first and then build up the layers to create depth. Darkening the background further helps the subject (like a face or flower) stand out.”
13. Viewer: “How do you add texture to your painting?”
“I use a palette knife to add texture, especially in areas like hair or clothing. I also use a dry brush technique to create scratchy, textured effects for details like tree bark or grass.”
14. Viewer: “How do you avoid muddy colors?”
“To avoid muddy colors, clean your brush thoroughly before picking up a new color. Also, avoid over-blending—sometimes it’s better to leave colors slightly separate to maintain their vibrancy.”
15. Viewer: “How do you know when a Portrait Painting is finished?”
“It’s finished when you feel like adding more might ruin it. I often step back and assess the painting from a distance. If it looks balanced and complete, I stop. Sometimes, less is more.”
Conclusion
A Portrait Painting doesn’t have to be complicated. By breaking the process into simple steps and focusing on basic techniques, you can create beautiful artwork even as a beginner. Remember, the key is to enjoy the process and keep practicing.
So grab your brushes, pick up your palette, and start painting! Whether it’s a portrait, landscape, or abstract piece, the possibilities are endless. Happy painting! 🎨
Introduction Oil painting is a deeply rewarding art form that allows artists to capture the richness, depth, and emotion of their subjects. In this blog, we’ll dive into the detailed process of creating a portrait using oil paints, inspired by a live painting session. Whether you’re a beginner looking to learn the basics or an experienced artist seeking to refine your techniques, this guide will walk you through every step, from setting up your workspace to adding the final touches.
Materials Needed Before starting, it’s essential to gather the right materials. Here’s a comprehensive list of what you’ll need:
Oil Paints: Titanium White, Cadmium Yellow, Cadmium Orange, Crimson Red, Permanent Alizarin, Ultramarine Blue, Raw Umber, and Black.
Brushes: A variety of sizes, including small detail brushes and larger blending brushes.
Canvas: A primed canvas (9×12 inches or larger). For beginners, inexpensive canvases can work, but applying two layers of gesso is recommended to prevent the canvas from absorbing too much paint.
Palette: For mixing colors. A wooden or glass palette works well.
Mediums: Linseed oil or other oil painting mediums (optional). These can help thin the paint and improve flow.
Reference Photo: A high-quality photograph of your subject, ideally printed at the same size as your canvas for easier comparison.
Step 1: Setting Up Your Workspace A well-organized workspace is crucial for a smooth painting process. Place your canvas on an easel and position your reference photo next to it. Ensure your palette is within easy reach, with your paints arranged in a logical order (e.g., light to dark). Having a large reference photo is particularly helpful for beginners, as it makes it easier to compare shapes, values, and proportions.
Step 2: Sketching the Portrait Begin by sketching the basic outline of the portrait using Raw Umber. This earthy tone is ideal for establishing the darker values and shapes of the face. Use a medium-sized brush to block in the shadows, focusing on the eye sockets, nose, and jawline. At this stage, don’t worry about details—focus on capturing the overall structure and proportions.
Pro Tip: Squint your eyes while looking at the reference photo. This helps simplify the shapes and values, making it easier to identify the darkest areas.
Step 3: Blocking in Dark Values With Raw Umber, continue to block in the darker areas of the face. Use a larger brush for broader strokes and a smaller brush for finer details. This step is all about establishing the foundation of your painting. Remember, oil painting is a layered process, so it’s okay if the initial sketch looks rough.
Step 4: Mixing Skin Tones Creating realistic skin tones is one of the most challenging aspects of portrait painting. Start by mixing a neutral base using Cadmium Orange, Raw Umber, and Titanium White. Adjust the mixture by adding more yellow or red depending on the subject’s complexion. For warmer tones, add more Cadmium Yellow; for cooler tones, add a touch of Ultramarine Blue.
Pro Tip: Keep your skin tone mixtures slightly muted. Real skin rarely has overly saturated colors, so adding a touch of Raw Umber or white can help tone down the intensity.
Step 5: Adding Mid-Tones and Light Values Once the dark values are in place, start adding mid-tones using your neutral skin tone mixture. Focus on areas like the cheeks, forehead, and neck. Gradually introduce lighter values by adding more Titanium White to your mixture. Pay attention to where the light hits the face—typically the cheekbones, nose, and forehead.
Use a clean, dry brush to blend the edges between light and shadow. This creates a smooth transition and adds a sense of realism to the portrait.
Step 6: Refining Details As the painting progresses, switch to smaller brushes to refine the details. Focus on the eyes, lips, and nose, as these features are crucial for capturing the subject’s likeness. Pay attention to subtle color variations in the skin, such as the reddish tones on the cheeks and chin, which are caused by blood flow.
Pro Tip: Use your fingers to soften edges, especially in areas like the cheeks and jawline. This technique can create a more natural, blended look.
Step 7: Painting the Background The background should complement the portrait without distracting from it. Mix Raw Umber and Titanium White to create a soft, neutral tone. Use a larger brush to apply the background color, blending it seamlessly with the edges of the portrait.
Step 8: Final Touches Add the finishing touches to bring the portrait to life. This includes adding highlights to the eyes, lips, and nose, as well as refining any areas that need more contrast or detail. Use a small brush for intricate work, such as eyelashes and fine hair strands.
Q&A Section
Q: What’s the best way to practice oil painting for beginners? A: Start by copying photographs or master paintings. Place the reference image next to your canvas at the same size to make comparisons easier. Focus on values and shapes rather than details in the beginning.
Q: How do you mix skin tones? A: Begin with a neutral base of Cadmium Orange, Raw Umber, and Titanium White. Adjust the mixture by adding more yellow or red depending on the subject’s skin tone. For warmer tones, add more Cadmium Yellow; for cooler tones, add a touch of Ultramarine Blue.
Q: Can I use cheap canvases for oil painting? A: While you can use inexpensive canvases, it’s recommended to apply two layers of gesso to prevent the canvas from absorbing too much paint. For best results, invest in a high-quality, oil-primed canvas.
Q: How do you create soft edges in oil painting? A: Use a clean, dry brush to blend the edges between light and shadow. You can also use your fingers to soften edges, especially for areas like the cheeks and jawline.
Q: How long should I wait before glazing an oil painting? A: Wait at least a week or until the painting is dry to the touch and no longer sticky. The drying time depends on the thickness of the paint and the climate you’re working in.
Q: What’s the best way to blend acrylic paints for skin tones? A: Use a spray bottle to keep the paint moist while blending. Alternatively, use slow-drying acrylics or a blending medium to extend the working time.
Q: How do you avoid overworking a painting? A: Know when to stop. Overworking a painting can lead to muddy colors and loss of detail. Take breaks and step back to assess your work from a distance.
Conclusion Oil painting is a journey that requires patience, practice, and a willingness to learn. By focusing on values, proportions, and color mixing, you can create stunning portraits that capture the essence of your subject. Don’t be afraid to experiment with different techniques and materials to find what works best for you.
Remember, every painting is a learning experience. Embrace the process, and don’t be discouraged by mistakes—they’re an essential part of growth as an artist.
Happy painting!
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Portrait painting is more than just capturing a likeness; it’s about telling a story through light, color, and emotion. In a recent live stream, I embarked on the journey of painting a portrait of the iconic actress Scarlett Johansson, and the process was both challenging and deeply rewarding. From selecting the right colors to adjusting proportions and refining details, every step was a lesson in patience, precision, and the art of bringing a face to life on canvas.
The Starting Point: Colors and Composition
I began by selecting my palette: titanium white, yellow ocher, cadmium red, permanent alizarin crimson, Prussian blue, and ivory black. These colors form the foundation of any portrait, allowing me to create a range of skin tones, shadows, and highlights. Scarlett’s complexion has a unique warmth and softness, so I knew I had to balance warm tones like cadmium red and yellow ocher with cooler shades like Prussian blue to capture her features accurately.
The initial sketch was simple—just an oval shape to map out the head and a few lines to establish the basic proportions. This stage is crucial because it sets the groundwork for the entire painting. Scarlett’s face has a distinct symmetry and elegance, so I paid close attention to the placement of her eyes, nose, and mouth to ensure the likeness would shine through.
The Process: Building Layers and Adjusting Proportions
Portrait painting is a constant dance between accuracy and artistry. As I progressed, I noticed that some areas needed adjustment. Scarlett’s eyes, for example, are one of her most striking features—slightly almond-shaped and full of depth. I had to carefully adjust their placement to capture her gaze accurately. The nose also needed refinement, as its shape is central to her overall facial structure.
One of the most important aspects of portrait painting is understanding how light interacts with the subject. In this case, the light was coming from the left, casting soft shadows on the right side of her face. I used a combination of brushes to achieve the right texture, switching between a round brush for detail work and a softer brush for blending. Scarlett’s skin has a luminous quality, so I focused on creating smooth transitions between light and shadow to mimic that glow.
The Details: Bringing Scarlett to Life
As the painting began to take shape, I focused on the finer details—her eyes, nose, and mouth. These features are the focal points of any portrait, and getting them right is essential. I used a small liner brush to define her eyes, carefully painting the iris and adding highlights to give them a lifelike sparkle. Her lips required a delicate touch, with subtle shifts in color to capture their softness and shape.
One of the most rewarding parts of the process was painting her hair. Scarlett’s hair often has a rich, warm tone, so I used a combination of raw umber and alizarin crimson to create depth and texture. The flow of her hair added a sense of movement to the portrait, making it feel more dynamic and alive.
The Final Touches: Refining and Reflecting
As I neared the end of the painting, I stepped back to assess the overall composition. I made a few final adjustments, darkening some areas to increase contrast and adding highlights to bring out the lightest parts of her face. I also softened some edges to create a more natural look, ensuring that the transitions between light and shadow were smooth and seamless.
Throughout the process, I was reminded of the importance of patience and persistence. Portrait painting is not about achieving perfection in one stroke; it’s about building up layers, making adjustments, and refining the details until the portrait comes to life. It’s a journey that requires both technical skill and a deep connection to the subject.
Conclusion: The Beauty of the Process
In the end, the portrait was a reflection of not just Scarlett Johansson’s photograph, but also the time, effort, and emotion I poured into it. The softness of her skin, the warmth of the colors, and the gentle expression all came together to create a piece that felt alive.
Painting a portrait is more than just a technical exercise—it’s a way of connecting with the subject, of capturing their essence on canvas. It’s a process that requires both skill and intuition, and it’s one that I find endlessly rewarding.
If you’re interested in watching the full process, you can check out the live stream on my YouTube channel. And if you’re inspired to try portrait painting yourself, remember to be patient, trust the process, and most importantly, enjoy the journey.
Q&A Section
Q: How do you choose the right colors for a portrait? A: It depends on the subject’s skin tone and lighting. For Scarlett Johansson, I used a mix of warm tones like cadmium red and yellow ocher, balanced with cooler shades like Prussian blue. The key is to observe the subtle shifts in color and blend them seamlessly.
Q: What’s the most challenging part of painting a portrait? A: Capturing the likeness is always the biggest challenge. It’s not just about getting the proportions right—it’s about capturing the subject’s essence and personality. For Scarlett, her eyes and smile were the most important features to get right.
Q: How do you handle mistakes during the painting process? A: Mistakes are part of the process! I often adjust proportions or colors as I go. If something looks off, I step back, assess, and make corrections. It’s all about being patient and trusting the process.
Q: What advice do you have for beginners who want to try portrait painting? A: Start simple. Focus on basic proportions and values before diving into details. Practice sketching faces and studying light and shadow. And most importantly, don’t be afraid to make mistakes—they’re how you learn!
Viewer Questions from the Live Stream
Q: From Michonne – Do you always sketch before painting? A: Yes, I usually start with a rough sketch to establish proportions. It helps me map out the face and ensure everything is in the right place before adding color.
Q: From Nikki – How do you decide where to place highlights? A: I look at the light source in the reference photo. For Scarlett’s portrait, the light was coming from the left, so I added highlights on the left side of her face, nose, and lips to create a natural glow.
Q: From Manuel – Do you use black in your mixtures? A: I do, but sparingly. Black can be too strong and can dull colors if overused. I often mix it with other colors to create deeper, richer shadows without losing vibrancy.
Q: From Jay Kishan – How many brushes do you use in a session? A: I typically use around 8-10 brushes, depending on the level of detail. I have a mix of round brushes for details and softer brushes for blending.
Q: From Christine – How do you keep your brushes clean? A: I clean them regularly with a paper towel or cloth. For frayed brushes, I repurpose them for blending, as they work great for creating soft transitions.
Thank you for joining me on this artistic adventure. Until next time, keep creating and exploring the beauty of art.
Hi. Today, I’m taking you along as I paint a portrait from scratch. I’ll be sharing my process, tips, and techniques, and hopefully, you’ll find some inspiration for your own artistic journey. Whether you’re an experienced artist or just starting out, I hope this session gives you a glimpse into my world of portrait painting.
The Palette: My Symphony of Colors
I always start by setting up my palette, and today is no different. Here are the colors I’ve chosen for this portrait:
Titanium White
Chrome Yellow
Naples Yellow
Deep Cam Orange
Cam Red
Alizarin Crimson
Raw Umber
Ivory Black
Emerald Green
These colors are my tools for creating harmony and depth in the painting. Each one has its own personality, and I love experimenting with how they interact on the canvas.
The Process: From Sketch to Life
I begin by sketching the portrait using Raw Umber. It’s a warm, earthy tone that’s perfect for laying down the initial shapes. I always squint my eyes when I sketch—it helps me simplify the image and focus on the dark shapes and shadows. This technique keeps me from getting lost in the details too early.
As I sketch, I love interacting with my viewers. Today, I’m greeted by Michael from Austria, Christine, Monique, and many others. It’s always a joy to connect with people from all over the world while I paint. It makes the process feel like a shared experience.
The Art of Observation and Measurement
One of the most important things I’ve learned about portrait painting is to pay attention to the distances between key facial features—like the eyebrows, nose, and chin. While these measurements aren’t always perfect, they serve as a guide to keep the proportions in check. It’s a combination of observation and measurement that helps me achieve a realistic likeness.
Painting from Black and White: My Creative Freedom
I often paint from black and white photographs because it gives me the freedom to create my own color harmony. Without the constraints of the original colors, I can experiment with different palettes and moods. Sometimes I keep the face muted, and other times I add vibrant colors. It’s all about what feels right in the moment.
Layering Colors: Building Depth and Texture
I start with a base layer of muted grayish-green, which acts as the foundation for the portrait. This thin layer allows me to build up more colors on top without the painting becoming muddy. I love how the colors blend and interact as I add more layers. It’s like watching the portrait come to life, one brushstroke at a time.
I’m careful not to use too much paint in the beginning. If the base layer is too thick, it can be hard to add vibrant colors on top. Instead, I keep it thin and build up gradually. This way, I can adjust the colors and tones as I go.
The Role of Texture: Adding Dimension
Texture is one of my favorite elements in painting. I use thick brushstrokes to add dimension to the face, creating a sense of depth and realism. The texture not only enhances the visual appeal but also adds a tactile quality that draws the viewer in.
For example, I might use texture to simulate the roughness of a beard or the softness of skin. By varying the pressure of my brush, I can create different effects that add character to the portrait. It’s a delicate balance, but it’s so rewarding when it works.
The Background: Choosing the Right Color
As I move to the background, I ask my viewers for their input. Should I go with teal blue, light gray, or green? Each color creates a different contrast with the portrait. After some thought, I decide on teal blue. It complements the warm tones of the face and adds a sense of balance to the composition.
The background is just as important as the subject. It shouldn’t compete with the portrait but rather enhance it. I always keep that in mind as I work.
The Final Touches: Refining the Portrait
As I near the end, I focus on refining the details. I soften some edges to create a more natural look, while keeping others sharp to define the contours of the face. I add subtle touches of color to the nose, cheeks, and ears, enhancing the portrait’s realism.
I also pay attention to the light and shadow. By adding highlights and deepening the shadows, I create a sense of volume and depth. It’s these small details that bring the portrait to life.
Conclusion: A Portrait in the Making
This portrait is a reflection of my passion for art. Through careful observation, thoughtful color choices, and a love for texture, I’ve transformed a blank canvas into a vibrant, lifelike image. Painting is not just about the final product—it’s about the journey, the learning, and the joy of creation.
As I wrap up, I invite you to join me in future sessions. Whether you’re here to learn, to be inspired, or simply to enjoy the process, I’m glad to have you along for the ride. So grab your brushes, set up your palette, and let’s create something beautiful together.
Final Thoughts
Painting is a journey, and every brushstroke is a step forward. I hope this session has given you some insights into my process and inspired you to explore your own creativity. Remember, there are no rules in art—only possibilities. So trust your instincts, experiment with colors, and most importantly, enjoy the process.
Welcome to my website! Today, I’m going to walk you through the process of painting a portrait, with a special focus on color theory. Color is one of the most powerful tools in an artist’s arsenal, and understanding how to use it effectively can transform your work. Whether you’re a beginner or an intermediate artist, this guide will help you create a realistic portrait while mastering the principles of color. Let’s dive in!
Main Points
1. Materials and Setup
Brushes: I primarily use synthetic brushes, especially thick ones for the initial layers. For fine details, I switch to smaller brushes like liner brushes (size 00 or 0).
Colors: My palette includes Titanium White, Cadmium Yellow, Cadmium Orange, Cadmium Red, Permanent Alizarin Crimson, Raw Umber, Cobalt Blue, and Lamp Black. These colors allow me to mix a wide range of skin tones and shadows.
Reference Photo: The photograph I’m using is linked in the description box. I always keep it next to my canvas for easy reference. I also use a toned gray canvas, which helps me judge values more accurately.
2. Starting the Painting
Sketching: Sometimes I start with a detailed drawing, but today I’m diving straight into painting with Raw Umber. This helps me establish the values (lights and shadows) early on.
Proportions: I always keep proportions in mind. For example, the distance from the eyebrow to the bottom of the nose is usually the same as from the nose to the chin. This helps maintain accuracy in the portrait.
Squinting: Squinting helps me see the basic shapes and values more clearly. It simplifies the image into light, mid-tone, and shadow areas.
3. Understanding Color Theory
Color Wheel: The color wheel is the foundation of color theory. It consists of primary colors (red, blue, yellow), secondary colors (green, orange, purple), and tertiary colors (mixtures of primary and secondary colors).
Warm and Cool Colors: Warm colors (reds, oranges, yellows) advance in a painting, while cool colors (blues, greens, purples) recede. This is crucial for creating depth.
Complementary Colors: Colors opposite each other on the color wheel (e.g., red and green, blue and orange) create strong contrast and can make each other appear more vibrant.
Simultaneous Contrast: This is the phenomenon where colors influence each other when placed side by side. For example, a gray will appear warmer next to a cool color and cooler next to a warm color.
4. Building the Portrait
Layering: I start with a thin layer of Raw Umber to block in the shadows and mid-tones. This creates a foundation for the portrait.
Skin Tones: For the skin, I mix Cadmium Orange, Raw Umber, and White. I keep the colors simple at first, focusing on getting the mid-tones right before adding highlights and darker shadows.
Highlights: I use Titanium White with a touch of Cadmium Yellow for warm highlights.
Shadows: Shadows are created by adding Raw Umber and a touch of Cobalt Blue to cool them down.
Reddish Areas: Areas like the cheeks, nose, and chin often have a reddish tint. I mix Cadmium Red with a bit of White and Raw Umber for these areas.
Background: The background color can significantly affect the portrait. I choose a warm, yellowish tone to complement the skin tones and create contrast. This is an example of color harmony.
5. Refining Details
Eyes and Mouth: These features require careful attention. I use smaller brushes for details like the eyelashes and lips. I also pay close attention to the highlights in the eyes to make them look alive.
Eyes: The eyes often have a hint of green or blue in the shadows, especially near the tear ducts. I use a mix of Cobalt Blue and Raw Umber for this.
Mouth: The lips have a reddish tone, but I also add a touch of Alizarin Crimson to make them more vibrant.
Hair: Hair is painted in layers. I start with dark tones (Lamp Black and Raw Umber) and gradually add lighter strands (Raw Umber and White) to create depth and texture.
Blending: I use a fan brush to soften edges and blend colors smoothly, especially in areas like the cheeks and neck.
6. Color and Contrast
Warm and Cool Colors: I balance warm and cool tones to create a sense of depth. For example, I add a touch of green to the shadows on the face to contrast with the warm highlights. This is an example of simultaneous contrast.
Highlights: I use Titanium White mixed with a bit of yellow for the brightest highlights. This makes the skin look more luminous.
Final Adjustments: I step back frequently to check the overall composition. Sometimes I darken the background to make the face pop or adjust the shadows to enhance the three-dimensional effect.
7. Advanced Color Techniques
Glazing: This is a technique where a thin, transparent layer of paint is applied over a dry layer. It’s great for adjusting colors without losing the underlying details.
Scumbling: This involves applying a thin, opaque layer of paint over a dry layer to create texture or soften colors.
Color Temperature: Understanding color temperature is key. For example, warm light creates cool shadows, and cool light creates warm shadows. This is known as local color and is essential for realism.
Conclusion
Painting a portrait is a rewarding but challenging process. It requires patience, practice, and a good understanding of proportions, values, and color theory. Today’s session took about three hours, and while I’m happy with the result, I know there’s always room for improvement. Remember, art is a journey, and every painting teaches us something new.
Key Takeaways:
Start with values: Focus on lights and shadows before diving into details.
Keep proportions in mind: This ensures the likeness of the portrait.
Balance warm and cool tones: This adds depth and realism to the painting.
Use color theory: Understanding complementary colors, simultaneous contrast, and color temperature can elevate your work.
Practice makes perfect: Don’t be afraid to make mistakes and learn from them.
Thank you for joining me today! If you enjoyed this tutorial, don’t forget to like, subscribe, and leave a comment. I’d love to hear your thoughts and answer any questions you have. Until next time, keep painting and exploring your creativity!
Recommended Reading:
For those interested in diving deeper into color theory, I highly recommend the book “Color Theory” by Johannes Itten. It’s a comprehensive guide that covers everything from the basics to advanced techniques. You can find a free PDF version online, but I encourage you to read it multiple times to fully absorb the concepts.
Painting a portrait is a rewarding artistic endeavor, and using water mixable oils makes the process more accessible and less messy than traditional oils. Whether you’re a beginner or an intermediate artist, this guide will walk you through the steps to create a stunning portrait using water-mixable oils. Plus, we’ve included a helpful video tutorial to guide you visually!
Why Choose Water Mixable Oils?
Water mixable oils combine the rich, blendable qualities of traditional oils with the convenience of water-based paints. Here’s why they’re great for portraits:
Easy Cleanup: Clean your brushes with water instead of harsh solvents.
Low Odor: Perfect for artists who are sensitive to the strong smell of traditional oils.
Versatility: Can be used thickly like traditional oils or thinned with water for a watercolor-like effect.
Drying Time: They dry faster than traditional oils but still allow for blending and reworking.
Brushes (a variety of sizes, including fine detail brushes).
Canvas or primed painting surface.
Palette for mixing colors.
Water for thinning and cleaning.
Paper towels or rags.
Optional: Mediums like water mixable linseed oil for added flow. I just use water on the video.
Step 1: Prepare Your Workspace
Set up your canvas on an easel or flat surface. Ensure you have good lighting to see the details of your subject. Lay out your paints, brushes, and water containers within easy reach.
Step 2: Choose a Reference Photo
Select a clear, high-resolution photo of your subject. Pay attention to the lighting and expression, as these will influence the mood of your portrait. If you’re new to portraiture, choose a photo with simple lighting and minimal shadows.
Step 3: Sketch the Outline
Using a pencil or a thin brush with diluted paint, lightly sketch the basic shapes of the face. Focus on the placement of the eyes, nose, mouth, and ears. Don’t worry about details at this stage—just establish the proportions and composition.
Step 4: Block in the Base Colors
Start by applying thin layers of paint to block in the main colors of the face, hair, and background. Use larger brushes for this step and keep the paint diluted with water for easier application. Focus on the overall shapes and avoid getting bogged down in details.
Step 5: Build Up the Layers
Once the base layer is dry (water-mixable oils dry faster than traditional oils, but you can still blend for a few hours), begin adding more layers to define the features. Use smaller brushes for details like the eyes, nose, and lips. Pay attention to the shadows and highlights to create depth and dimension.
Step 6: Refine the Details
As you progress, refine the details of the face. Add texture to the skin, define the hair, and enhance the expression. Use a fine brush for intricate areas like the eyelashes and eyebrows. Don’t forget to step back occasionally to assess the overall balance of your portrait.
Step 7: Add the Background
The background should complement the subject without overpowering it. Use softer colors and less detail to keep the focus on the face. You can blend the edges of the portrait into the background for a seamless look.
Step 8: Final Touches
Review your portrait and make any final adjustments. Add highlights to the eyes and lips to bring them to life. Soften any harsh lines and ensure the skin tones are blended smoothly. Sign your work in the corner once you’re satisfied.
Tips for Success
Work from General to Specific: Start with broad shapes and gradually add details.
Use a Limited Palette: Mixing fewer colors will help maintain harmony in your portrait.
Experiment with Water: Use more water for a translucent effect or less for thicker, impasto textures.
Practice Patience: Allow layers to dry before adding new details to avoid muddy colors.
Video Tutorial
To make this process even easier, we’ve created a step-by-step video tutorial! Watch as we demonstrate each stage of painting a portrait with water-mixable oils, from the initial sketch to the final touches. Follow along and pause as needed to work at your own pace.
Conclusion
Painting a portrait with water-mixable oils is a fulfilling experience that combines the richness of oil paints with the convenience of water-based mediums. With practice and patience, you’ll be able to create lifelike, expressive portraits that capture the essence of your subject. Don’t forget to share your finished work in the comments below—we’d love to see your creations!
