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A lot of students think they are improving…
but they are only getting better at copying.
And copying can look very convincing.
You can measure angles, compare distances, adjust proportions… and end up with something that looks right.
But when the reference disappears, so does the result.
That’s where understanding comes in.
Copying, measuring… and understanding
Let’s be clear:
Measuring is not the problem.
I teach measuring.
I teach proportions.
I teach how to compare angles and distances.
These are fundamentals.
You need them.
But measuring by itself is not understanding.
Measuring helps you place things.
Understanding helps you build things.
And in painting, you need both.

Fundamentals come first
Before freedom, before expression, before style…
there are fundamentals.
- Proportion
- Placement
- Big shapes
- Value relationships
If these are not there, nothing else will hold.
This is why in my classes we start with structure.
We don’t guess.
We don’t jump into details.
We organize the painting first.
Where students get stuck
Most students stop at measuring.
They focus on:
- “Is this eye in the right place?”
- “Is this line accurate?”
But they don’t ask:
- “Why is this area in shadow?”
- “What plane is turning?”
- “What is the big value pattern?”
So the drawing can be correct…
but the painting still feels flat.
Understanding is making decisions
This is the difference.
Copying follows.
Understanding decides.
At some point, you have to move from:
- “What do I see?”
to:
- “What matters?”
Because you don’t paint everything.
You simplify.
You group.
You push and pull.
That’s not copying—that’s interpretation.

How I teach it
In my classes, we combine both:
First:
- We measure
- We check proportions
- We build the structure
Then:
- We simplify into big values
- We understand the planes
- We make decisions
Not one or the other.
Both.
Because measuring without understanding becomes mechanical.
And understanding without structure becomes guesswork.
A simple way to think about it
Measuring is your guide.
Understanding is your control.
One keeps you accurate.
The other makes your painting work.
Final thought
If you only copy, you depend on the reference.
If you only “interpret” without structure, things fall apart.
But when you combine solid measuring with clear understanding…
you start to paint with confidence.
That’s the goal.
- The Difference Between Copying and Understanding
- Why Your Portraits Look Flat (Even If Your Drawing Is Correct)
- Why Short Portrait Sessions Are One of the Most Valuable Practices for Painters
- From Planes to Realism: How to Soften Structure Without Losing Form
- How to Paint Planes of the Face in Warm and Cool Light